We are a music recording studio specialized in the recording of live music in scenic spaces, mainly for symphonic orchestras, bands, choirs, instrumental and chamber ensembles.

Our team is in charge of the entire production of any recording project, from the recording to the delivery of the copies of CDs or DVDs for their subsequent distribution and commercialization:

Imagen de un Micrófono de Estudio
  • Recording sessions of 8 hours each.
  • Recording through Pro-Tools 2021 (license)
  • We use top microphone brands: Neumann, Audio-Technica, Shure, Rode, AKG.
  • Session with the musical direction, for revisions prior to mastering. At this stage the executive producer decides on the final adjustments to be included in the work.
  • Management with the factory and delivery of the number of copies requested by the customer, made available directly to the customer for marketing.
  • As phonographic producers:
    • We obtain the legal deposit of the recording product.
    • We manage the payment of the corresponding fees to the SGAE.
    • We insert the UPC codes (barcode) in the master.
    • We insert the ISRC codes in each track.

As you can see we are more than a recording studio, we take care of the whole process of a record production, composition and arrangements, recording, editing, mixing, as well as the mastering of the final product.

How are the recording sessions conducted?

To carry out the recording session, we move our equipment to the venue that has been previously selected, where we proceed with a careful assembly of the microphone set, taking into account the arrangement of the instrumental families and the stage space itself, in order to capture a realistic performance, strictly live, of all the members that make up the formation, adding in the next phase of mixing the due improvement that currently allows us the art technology.

Recording Phases

What are we pursuing with this recording method?

This method is intended to capture the richness of timbre and dynamics that should really characterize each formation, as was the case with many of the great productions of yesteryear. Everything that sounds is the result of the work of all the members of the instrumental group, as well as the imprint of the group at the time the work in question was performed and recorded. To this must be added the acoustic response of each enclosure.

Interested?

For more information, please contact us at the following link.